Vocal Queeries workshop series

SUM gallery presents: VOCAL QUEERIES WORKSHOP SERIES with sarah jo kirsch!

Sept 10 & Sept 17, 2023

*PLEASE NOTE that this workshop series is now SOLD OUT.

The Vocal Queeries workshop series is open to individuals of all ages, backgrounds, abilities, identities, and orientations who want to explore the expansive spectrum of vocal expression and the unique beauty of their own voices in a safe and inclusive space for exploration and growth.

Whether you’re a vocalist, actor, performance artist, public speaker, or just someone eager to get to know their voice, this series offers a wholistic and intersectional journey into grounded vocalization through collaborative discussion and practice.

IN 4 INTERACTIVE SESSIONS

1. VOCAL QUEERS

Dive into queer sonic philosophy and practice through the work of Pauline Oliveros, Gabriel Dharmoo, Meredith Monk, and more!

2. FUNDAMENTALS OF PHONATION

Explore the miraculous mechanics of vocal production and gain a deeper understanding of how the body functions as an instrument.

3. FULL SPECTRUM RESONANCE

Learn to harness breath momentum, open and balance resonators, and align articulators to ring with ease and flexibility.

4. PRACTICE & PROCESS

Develop a wholistically conscious practice to help build an authentic and reciprocal relationship with your voice and your self.

+ CODA

Each 75-minute session is followed by a 15-minute collaborative reflection and intention-setting.

SESSION SCHEDULE:

Sun, Sept 10:
session 1: 1:00 – 2:30pm
session 2: 3:00 – 4:30pm

Sun, Sept 17:
session 3: 1:00 – 2:30 pm
session 4: 3:00 – 4:30 pm

We recommend you register to attend all four sessions as these workshops are designed as a four-part series, however, you may also register for a single session. All sessions must be registered for individually.

SUGGESTED DONATION:

$200 if you plan to register for the FULL SERIES (use the Pay-What-You-Wish admission option to enter $50 per session)
or
$60 per session

Embracing the Pay-What-You-Wish admission option allows you to pay what you can afford. We encourage those who can contribute more than the suggested rate to do so. It enables aspiring singers more challenged by the cost of living to engage in this transformative experience. Your contribution can make a difference in someone else’s journey and help keep these workshops genuinely inclusive.

YOUR CLINICIAN

Sarah Jo Kirsch is a vocalist steeped in Western European song traditions. They have premiered dozens of new works by Canadian composers, they create their own sound-and text-based electroacoustic works, and they share knowledge about wholistic vocalization and the evolution of organized sound. sarahjokirsch.com

Rojina Farrokhnejad: Gods and Monsters

Rojina Farrokhnejad: Gods and Monsters
OCT 14 – DEC 1 | 2023
Opening reception: Oct 14, 5 to 7pm

Mythology offers us valuable life lessons by illuminating our own human behaviour. In Vancouver-based artist Rojina Farrokhnejad’s solo exhibition entitled Gods and Monsters, Farrokhnejad uses mythological figures like Gods, centaurs, mediators, angels, and demons to explore transcendent and timeless human conditions, familial relationships and emotions, like love and lust, envy and rage, rejection and loss, violence and death.

Myth demands to be transplanted into the present, reinterpreted according to present-day ideas or anxieties. Myths should be thought of as constantly-moving turnstiles. To retell is to metamorphose. Meaning is never fixed, but ever fluid — as likely to be arrested as the reflection in water that entranced Narcissus.

A painter, sculptor, and filmmaker, Farrokhnejad’s multidisciplinary exhibit uses figurative art to explore themes of queer sensuality, religiosity, and isolation. Gods and Monsters employs elements of animation, acrylic and oil paintings, and clay and ceramic sculpture to blur the line between the representational and abstract; the grotesque and divine; mythological symbolism and religious devotion. In Gods and Monsters, Farrokhnejad takes on the role of mediator to initiate a non-verbal dialogue where audiences are able to interrogate their own stance: Are we all simply Gods and Monsters, one or the other, or neither? 

ABOUT Rojina Farrokhnejad

Rojina Farrokhnejad (RJ) lives in Vancouver, BC. Originally from Iran, she came to the city in the early 2000s and quickly connected with the LGBT community and found like-minded people, now proudly calling Vancouver home. RJ is renowned for her evocative images of memories & metamorphosis, expressions of solitude, and moments of importance that connect with the audience’s experiences. She uses myth to explore the darker side of human nature and as allegory to encrypt hidden meanings. A painter, sculptor and filmmaker, she works using multiple mediums and techniques like oil, acrylic and clay in layers through a variety of motion, colours, tones and textures, to help provide a sense of narrative. Her most recent works push the boundaries of representation, integrating abstraction within imaginative figurative compositions. Her works have been exhibited at grunt gallery, Gallery Gachet, and the Cultch. 

VQFF x QAF + SUM presents: The Coast is Queer

Queer Arts Festival + SUM gallery is proud community partner for Vancouver Queer Film Festival‘s screening of Shorts: The Coast is Queer
Aug 17, 2023 | 6:30PM
Cineplex Odeon International Village Cinemas

The coast is queerer than ever! VQFF’s annual showcase of homegrown talent is back with a quartet of shorts exploring trans and nonbinary identities, featuring some familiar faces, including Kendall Gender and SKIM.

Screening followed by a drag performance by Mx. Bukuru and a Q&A with the artists!

Content warning: Blood, nudity.

The shorts programme features E.S.S. Scenes, originally seen as part of SUM gallery exhibition STICKY EXTENSIONS: ROMI KIM IN COLLABORATION WITH QUEER BASED MEDIA!

Vines Art Society presents: We, The Many

We, The Many

Fri, Aug 18, 2023 | 6pm

Location SymbolÍ7iy̓el̓shn | Sunset Beach Park

1204 Beach Ave Vancouver, BC V6E 1V3

Accessibility SymbolASL Interpretation

Vines Art Festival 2023’s We, The Many highlights 2SLGBTIQIA+ history, existence and art with drag, music and dance. Bringing queer joy to public space acknowledges the ongoing resistance to erasure and destruction of queer spaces, lives and stories. Join us for a vibrant evening of queer brilliance as the sun sets on our glowing bodies.

Co-curated by jaye simpson

In partnership with SUM gallery + Queer Arts Festival

Schedule:

  • 6:00 PM – Opening with Cease Wyss
  • 6:20 PM – Erin Boy
  • 6:40 PM – Izzy Cenedese (Freshly Squeezed)
  • “Collection of songs I have written over the past 6 years.”
  • 6:45 PM – semillitxs
  • 7:10 PM – Anya Anomaly
  • 7:20 PM – Cru Alexander Timi (Heritage)
  • Heritage is about celebrating being Queer and Black. Heritage is about self expression.
  • 7:35 PM – Bo Dyp
  • 7:45 PM – Venus Noirre
  • 7:55 PM – Dolly Hardon & Vee for Victoria
  • 8:10 PM – King Kundo (Let me thrive)
  • Story telling of black trans journey, choosing self, self love and self healing.
  • 8:20 PM – SKIM
  • 8:30 PM – Jas Minh
  • 8:45 PM – DJ Nea

For more info on this program, please visit Vines Art Society’s website.

Odera Igbokwe: New Yams Festival

Thu Jun 22 – Fri Jul 28
Exhibition open hours: Tue-Sat, 12 to 6pm

SUM gallery presents a solo exhibition by Odera Igbokwe, an illustrator and painter who celebrates the magic of the African Diaspora and QTBIPOC. New Yams Festival is a direct reflection, response, and Queer reclamation of the New Yam Festival of the Igbo people. Traditionally, it is a celebration of abundance, ancestral veneration, and protection. In referencing The New Yam Festival, Odera seeks to create a visual lineage between Queer Afrofuturism and ancestral rituals.

About Odera Igbokwe

Odera Igbokwe (they/them & he/him) is an illustrator and painter located on the unceded and traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Odera loves to explore storytelling through Afro-diasporic mythologies, Black resilience and magical girl transformation sequences. Their work explores the magic of the Black imagination, and responds to the fractures that occur via diaspora and displacement. Ultimately their paintings celebrate joy, mundanity, and fantasy coexisting alongside pain and healing. As a freelance illustrator, Odera works with clients and galleries to create work that is deeply personal, soulful and intersectional.

SD Holman’s Pas-à-pas; not intent on arriving

Pas-à-pas; not intent on arriving

A new photo-based exhibition by SD Holman
The exhibition runs Apr 1 – Jun 2, 2023
SUM gallery open to the public Tue-Sat, 12 to 6pm
Opening reception (artist in attendance): Apr 1, 5 to 7pm
Live musical performances from Rachel Kiyo Iwaasa: Apr 19 at 12pm, May 13 at 5pm, May 19 at 5pm, June 2 at 5pm

Pas-à-pas; not intent on arriving is a new photo-based multidisciplinary meditation on mourning & memory by artist SD Holman, on view at SUM gallery April 1 to June 2. Pas-à-pas; not intent on arriving (pilgrimage variations) derives from Holman’s walk across Canada following the death of their wife, Catherine White Holman. This exhibit engages artist and writer Persimmon Blackbridge, who works with words from Holman’s travel journal; and using Bach’s Goldberg Variations as an organizing principle, Holman collaborates with pianist Rachel Kiyo Iwaasa, who performs at the opening and periodically during the exhibition run.

I needed to walk; walk out my door & keep walking. I don’t like walking. You died in a plane crash. I couldn’t make sense of it. I walked for 3 months / 2700 km. I took a little G11 (not my pro camera or 4×5). I made 8,000 images—99 videos—30,000 words. These are some of them.

There is no arc to this story. I did not come out of it healed.

We all grieve. I later learned that the grieving often go on walking pilgrimages. Walk. Breathe. Think. Don’t think. Circle. Repeat. Step. By step. Try to change the outcome as you move over unfamiliar terrain. Different and the same. No epic Canadian landscapes here, instead tiny human steps cycling endlessly in an intimate vista.

SD Holman

Variations are like a voyage. But … that voyage does not lead through the infinitude of the exterior world … The voyage of variations leads into the other infinitude, into the infinite diversity of the interior world hidden in all things … We know we cannot embrace the universe with its suns and stars. Much more unbearable is to be condemned to lack that other infinitude, that infinitude near at hand, within reach… we all lose in whatever we do, because if it is perfection we are after, we must go to the heart of the matter, and we can never quite reach it… there is nothing more unbearable than lacking the being we loved, those…measures and the interior world of their infinitude of possibilities. —

Milan Kundera

About SD Holman sdholman.com

SD Holman is an award-winning artist and curator born in Hollywood, California. Described as “visionary” by curator/scholar Jonathan Katz, Holman is a graduate of ECUAD Vancouver Canada, laureate of the YWCA Women of Distinction Award, and Founding Artistic Director Emeritus of the multidisciplinary QAF + SUM gallery. Defining as a participant observer employing subjective conceptual documentary practice, Holman’s approach to photography is conflicted and perverse. Holman’s work deals in paradox: the cognitive dissonance between estrangement and recognition, aversion and attraction, harshness and beauty, bravura and restraint, outrageousness and subtlety, expressionism and classicism. Holman embraces Indeterminacy to open artistic practice to the random and radically break from tradition, convention, and habit.

Holman’s work has exhibited internationally including at Wellesley College, Amherst College, CLGA ArQuives (Toronto), the Advocate Gallery (Los Angeles), the Soady-Campbell Gallery (New York), the San Francisco Public Library, On Main Gallery, The Helen Pitt International Gallery, Charles H. Scott, Exposure, Gallery Gachet, the Roundhouse, Vancouver East Cultural Centre, Artropolis, and Fotobase Galleries (Vancouver). Holman’s portrait project BUTCH: Not like the other girls toured North America and is in its second print edition, published by Caitlin Press, Dagger Editions. Studio Q, Holman’s notorious DTES Art Salon in Vancouver’s Chinatown, was featured in Secrets of the City (1st edition).

About Rachel Kiyo Iwaasa iwaasa.com

Hailed in the press as a “keyboard virtuoso and avant-garde muse” (Georgia Straight) whose “emotional intensity” transforms music “from notes on a page to a stunning work of art” (Victoria Times Colonist), RACHEL KIYO IWAASA is recognized among Canada’s foremost contemporary music pianists. Rachel’s reputation for fearless performative risk has drawn many of Canada’s most notable composers to write for her, including Hildegard Westerkamp, Rodney Sharman, Jocelyn Morlock, Nicole Lizée, Farshid Samandari, Emily Doolittle, Jeffrey Ryan and Jordan Nobles. One half of the acclaimed contemporary flute/piano duo Tiresias with Mark Takeshi McGregor, Rachel has also performed with Yannick Nézet-Séguin, Judith Forst, the Bozzini Quartet, Heather Pawsey, Gabriel Kahane, Caroline Shaw, and Richard Reed Parry of Arcade Fire. Rachel’s debut CD, Cosmophony, has been praised as “brilliant” and “unforgettable” (Vancouver Sun) and for “the passion, intensity and the nuanced playing she’s acclaimed for… she manages to instill a sense of dynamic tension and pull to every note” (The Province).

Read the press release for Pas-à-pas; not intent on arriving.

asian heritage month at morrow

ahmm (asian heritage month at morrow)
May 6 – 29, 2023 at Morrow, 910 Richards St, Vancouver
Schedule

SUM gallery is proud to co-produce ahmm events Volume Vulva Verve and Bowl of Jasmine in partnership with Dumb Instrument Dance.

Volume Vulva Verve (May 10-14) features two vibrant solo works by accomplished creators/performers: Taiko artist Kage and dance artist Ziyian Kwan. Through sound composition, live vocals and movement, Kage’s Itadakimasu explores how food intersects with ancestral teachings and community, and how this is being threatened by colonial and capitalist forces. Ziyian’s The Odd Volume similarly emerges in resistance to forces that assimilate, displace, and racialize, articulating through movement and storytelling, her immigrant experience as a first generation Chinese-Filipina. Volume Vulva Verve powerfully voices the importance of preserving cultural knowledge and inspiring healing within ourselves and our communities.

Bowl of Jasmine (May 26-28) is a program of 2 works choreographed by Juolin Lee and Sujit Vaidya. The artists come from distinctly different backgrounds, yet they are unified by a mutual fascination with exploring the tension between imagination and reality. This program inquires into the physicality of their fantasy worlds, exploring how cultural influences in the form of scent and taste permeate through their moving bodies.


Artistic Statement, Ziyian Kwan: ahmm was born of my desire to connect with kith and kin – at Dumb Instrument Dance’s cultural space Morrow, during Asian Heritage Month. My hope is that this first iteration of a festival, which came about as an impromptu incentive, will develop and evolve into future adventures. But in the here and now, it’s so exciting to dream something into being with an extraordinary group of artists and partners. Expect intimate sharings of poetry, movement, music, film, visual art and interactive offerings of rest and nourishment, made real by co-operative imagining and camaradarie. Through events that are at once resistance and celebration, ahmm is the embrace of Asian Canadian artists who from a space of community, sing their work to shore.

Folklore, Feminism, and Sea-Maidens: A Mythic Evening with Nalo Hopkinson in Conversation w/ Valérie d. Walker

On Thursday, May 25 at 6:30pm, join Massy Arts Society, SUM gallery, SFU Library, SFU Public Square & Massy Books at The Djavad Mowafaghian World Art Centre for a special evening with one of the world’s preeminent writers of science fiction and fantasy:

Folklore, Feminism, and Sea-Maidens: A Mythic Evening with Nalo Hopkinson in Conversation w/ Valérie d. Walker

We welcome you to enjoy this wide-ranging conversation between Nalo Hopkinson & Valérie d. Walker, as these two multidimensional artists discuss the realms of myth, story, wonder, beauty and rigour that inspire their creativity across genres, forms and worlds.

Registration is free/by donation, open to all and required for entrance.

Several Nalo Hopkinson titles will be on sale during the event.

Venue & Accessibility

The event will be hosted at The Djavad Mowafaghian World Art Centre, on the Vancouver campus of Simon Fraser University— 149 W Hastings St, Vancouver, BC V6B 1H4.

Please refrain from wearing scents or heavy perfumes.

SFU COVID-19 protocols in place: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms, that you please stay home.

About The Author

Nalo Hopkinson is a Jamaican-born author living in Canada. Her novels and short fiction have received the World Fantasy Award, the Sturgeon Award, the Sunburst Award for Canadian literature of the fantastic, and the Nebula Award, among others. In 2021, Science Fiction Writers of America gave her the Damon Knight Memorial “Grand Master’ Award for her contributions to the genre and the community. She is the first woman of African descent and the youngest person to date to receive this award. Hopkinson is currently a professor in the School of Creative Writing of the University of British Columbia.

In Conversation with SUM gallery board member:

Valérie d. Walker is a Renaissance Artist, alchemyst, transmedia maker, educator, curator, Indigo Griot, Radio-Wave creatrix & BIPOC Femme Afro-Futuristic transmitter. She holds 5th level Ikebana (Japanese flower arranging) & Chado (tea-ceremony) degrees with Urasenke-Kyoto & lifetimes of Indigo knowledge, she landed on Gaia in Honolulu & has traveled the planet in space and time. Valérie holds a degree in EECS from UC-Berkeley and her MFA from NSCAD University.

Valérie’s artwork explores enviro-positive natural dyeing & printing, fibre-based responsive installations, tactile virtual spaces, solar-powered circuits, story-telling, epigenetic memories, environmentally healing studio processes, craft-based techniques, digitalia & imagining, programming, sensoriality, and Afro-Futurism.

When I Stop Saying Your Name – Five Songs of Grief and Grieving

SUM gallery + Little Chamber Music present:
When I Stop Saying Your Name – Five Songs of Grief and Grieving

World premiere of new works by Leslie Uyeda
Featuring Krisztina Szabó, mezzo-soprano
Poetry reading by Lorna Crozier

Thursday, March 16
Two showtimes: 7 pm & 8:30 pm (each performance approx. 45 min)
Celebration Hall at Mountain View Cemetery (5455 Fraser St.)

Free admission

On March 16, we return to Mountain View Cemetery in partnership with our friends at Little Chamber Music to present a new song cycle by Vancouver composer Leslie Uyeda. Featuring acclaimed mezzo-soprano Krisztina Szabó, poetry by Lorna Crozier (OC), and a chamber ensemble of Vancouver’s finest, When I Stop Saying Your Name – Five Songs of Grief and Grieving will be presented twice in the same evening, alongside readings by Crozier and the premiere of a new instrumental work by Uyeda, Grief Lies Onward.

The Celebration Hall at Mountain View Cemetery is the perfect location for this musical examination of the difficult process of grief and grieving.