Category: Visual Arts

ñ (enye)—ilvs strauss

Nov 19 – 29, 2024

ñ (enye) is a multimedia bilingual installation / listening party by ilvs strauss (ilvs pronounced “elvis”). Visitors are asked to bring their ears for a guided journey through a labyrinth of intentional sound, audible and otherwise. Along the way, we’ll flip through the catalog of basic human needs and delve into an inquiry re: the advent of language, amongst other things. Ultimately, ñ (enye) raises the questions: What is it we hear? What is it we want to hear?

This exhibition also features strauss’ illustrated zine, “everything i heard over the course of my day all at once,” which was the original inspiration for her installation.

Join us at SUM gallery on Nov 19 for the opening reception of a new multimedia bilingual installation by ilvs strauss.

Register Here

ABOUT ILVS STRAUSS

From a sociodemographic standpoint, I am a 45 year old educated, queer, mixed-race, white-passing, female bodied, Honduran-American artist. From a non-sociodemographic standpoint, I’m still those things, but manifest in 3D by the ethereal: experience, values, judgement, desire, need, love, motivation, inspiration, etc. The list goes on, but for now I’ll focus on the last three. 

I love language and how it relates to the body.

I love surtitles, subtitles, and translation studies. 

I love blurring the line between technician and performer.

I love the science and philosophy of sound – What is sound even? What are the effects of sound on our body, in our minds? How do our bodies/brains receive and interpret sound?

I’m motivated by considerations of accessibility – the show I am working on relies heavily on projected text, it is a lot to ask of an audience, to read for a sustained amount of time. How can I change the work to become accessible to those of different vision/hearing levels while maintaining the spirit and integrity of the piece?

The physics of sound inspires me. Sound is not a singular tiny object that travels along a wavy line from Point A to Point B. It is vibration – not a thing at all. Something (a voice, the slamming shut of a book, bird song) makes a molecule vibrate, which in turn makes the adjacent molecules vibrate, etc. A chain reaction radiating out in 3D. This has been a vital paradigm shift for me, a shift from thinking of singular entities on solo journeys to communities of entities vibrating in an iterative process.

I’m inspired to stop calling my ‘solo’ show a ‘solo’ show, for there is absolutely nothing I have done or will do that does not require the help/contribution/support/assistance of another.

Sacred Sacrilegious—Sujit Vaidya

Dec 3 – 13, 2024

SUM gallery brings 2024 to a close with Sacred Sacrilegious, a film by bharatanatyam-trained dancer and choreographer Sujit Vaidya, with videographer Robert Kingsbury and sound designer Parmela Attariwala.

Sacred Sacrilegious is a 40-minute film that explores the body as an offering to the five elements in accordance with Hindu philosophy (Earth, Water, Fire, Air and Space). It is an abstraction of ideas that are placed through the body as moving landscapes. With his collaborators, Kingsbury and Attariwala, Vaidya has created virtual worlds for the body to inhabit an idea or a feeling through a series of visuals, each visual carrying something deeper within it. The viewer’s gaze is invited to stand on the edge of the visuals and make their own relationships with what’s being offered. “Sacred” and “Sacrilege” are offered as invitations to the viewer’s gaze.

On Dec. 3 at 7pm SUM gallery hosts a free public screening and Vancouver premiere of Sacred Sacrilegious, with Vaidya, Attariwala and Kingsbury in attendance, kicking off a ten-day mini-exhibition.

Film duration: 41 minutes

Note: Sacred Sacrilegious contains partial nudity.

Choreography/ Concept: Sujit Vaidya

Dancer: Sujit Vaidya

Videography and Editing: Robert Kingsbury

Sound Design: Parmela Attariwala

Outside Eye: Lee Su-Feh

Sacred Sacrilegious was made possible thanks to the support of the Canada Council for the Arts and Anandam Dance Theatre.

Sacred Sacrilegious runs at SUM gallery Dec. 3 – 13.

SUM gallery hours: Tuesday – Saturday, noon – 6pm.

Register Here

ABOUT SUJIT VAIDYA

sujitvaidya.ca

My dance training is in a “traditional” dance form from India, called bharatanatyam. However, my way of engaging with the form is to situate my queerness within the rootedness of tradition and intergenerational knowledge. Some curiosities/ ideas I engage with around Body, Eroticism, Gaze, Queer shame, Queer intimacy and Stillness have been showing up in my work consistently. Slowing down movement and reclaiming/ re- aligning gaze around virtuosity through a non- Eurocentric lens interests me. I like to give the viewer the agency of meaning making. I’m not interested in putting across literal ideas. I like to sense and sculpt spaces for my audience’s imagination to inhabit. Rest, leisure, intimacy, stillness, gaze and erotic body are some themes I have explored in Sacred Sacrilegious.

“Traditional” bharatanatyam as practiced and performed today, is a practice of privileged able bodied persons from caste and class hierarchies. It caters to an Eurocentric gaze, with emphasis placed on physical virtuosity. My attempt in my works, including Sacred Sacrilegious, is to dismantle this gaze by using prolonged, sometimes uncomfortable silences to bring attention to the moment and invite ways of being present inside of it. – SV

FOREST / FLUX / FREQUENCY—Rafael Zen + Khalil Alomar

Nov 7 – 16, 2024

FOREST / FLUX / FREQUENCY is both a multimedia installation + sound performance. First, conceptually and fantastically – it is a conversation between an old tree + a cyber-bug through experimental electronic music, sound performance, hauntology, and eco-dreaming; then, materially, as an exploration of art fields that interest artists Rafael Zen and Khalil Alomar – multispecies collaboration (combining the sounds of humans + nature : birds > bugs > waves > wind), speculative environmental composition (by imagining a future when nature can only be accessed through screens and projections), and improvisational sound art (live performance of the speculative soundscape of an electro-forest).

The opening reception takes place on November 7, from 7 – 9pm, with Zen and Alomar performing live in the gallery. FOREST / FLUX / FREQUENCY runs at SUM gallery, Tuesday to Saturday from noon – 6pm, until November 16, 2024.

REGISTER HERE

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ABOUT THE ARTISTS

RAFAEL ZEN /// The world is in convulsion, and so are we.* Rafael Zen is a queer and fiery Brazilian-Canadian multimedia artist and sound performer, currently living on the land of the Coast Salish peoples – Squamish, Tsleil-Waututh, and Musqueam. There, he researches intersections between new media, performance, and environmental hauntology/speculative environmental composition/performance mediated with/through technology. In colonially-called Vancouver, he organizes Durations, an independent sound art and video art festival that offers an open stage for emerging artists exploring the fields of new media, sound, video art, and live performance. Academically, he holds a Master’s degree in Visual Arts – Contemporary Artistic Processes, where he researches anti-colonial and anti-capitalist poetic practices, and political counterattacks through contemporary art. Currently, he is researching New Media and Sound Art at Emily Carr University. 

*Brazilian theorist Suely Rolnik (Spheres of Insurrection / 2017).

KHALIL ALOMAR /// Khalil Alomar is a queer Lebanese-Canadian artist whose creative practice primarily revolves around sound art, multimedia installation, and performance. He works through anti-colonial, anti-capitalist, and anti-establishment theory and practice. Currently, he is pursuing a degree in New Media and Sound Art at Emily Carr University. Alomar lives in the unceded territories of the xwməθkwəy̓ əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Selíl̓witulh (Tsleil-Waututh) Nations. His recent practice is centered on sound, video/paper collage, and photography as mediums that provide a platform for critiquing systemic aggressions and abuse.

FOREST / FLUX / FREQUENCY: Sound Performance
November 16, 2-4 pm

Join us at SUM gallery for the final day of our exhibition, FOREST / FLUX/ FREQUENCY by Khalil Alomar and Rafael Zen, for a special performance by the artists. This free, improvisational sound-based performance evokes an electro-forest in a future when nature can only be accessed through screens and projections

Saturday, November 16 at 2pm

SUM gallery (#425 – 268 Keefer St.)

REgister here

SUM AiR—SJ Kirsch

Sept 5 – 27, 2024

We’re excited to welcome SJ Kirsch as a SUM-AiR artist-in-residence from September 5 – 27, 2024. SJ will use this residency to expand their fluency in a number software programs, providing the foundation of their multimedia, interdisciplinary project, Enbian Love Songs: experiential odes for the liminally-inclined. This site-specific project will explore liminality as a safe space through community sound gatherings, installation, and performances.

ABOUT

An accomplished interpreter of western art music, SJ Kirsch (they/she) has performed across Canada, in Europe and West Asia as a soloist and collaborator. They have been hailed as “…one of the finest contemporary dramatic vocalists in Canada today,” (Calgary Herald) “…with the ability to get under the skin of everything she sings,” (Winnipeg Free Press).

Beyond opera and oratorio, SJ curates and produces sociopolitically relevant art song experiences of works from the last three centuries. An avid and capable interpreter of new music, they have premiered more than 30 new works for voice by Canadian composers. Chorally, SJ currently serves as a section leader for the Vancouver Bach Choir family and will join the ranks of Musica Intima for the 2022-23 season.

As a creator/composer, SJ weaves electroacoustic tapestries inspired by the primally physical nature of resonance. As a pundit, they lecture on the ins and outs of western art music, wholistic programming, and vocal liberation for cultural and educational institutions, on podcasts, and on CiTR 101.9 FM. As a pedagog, they keep a small studio of private students from around the world.

SJ earned their BMus at the University of Colorado Boulder College of Music and MMus from the University of Manitoba Desautels Faculty of Music. They are also a laureate of the Eckhardt-Gramatté National Music Competition and have received project and commissioning support from the Canada Council for the Arts, the Manitoba Arts Council, the Winnipeg Arts Council, the Women’s Musical Club of Winnipeg and many generous individuals for whom they are deeply grateful.

SUM AiR—Rafael Zen + Khalil Alomar

Aug 12 – 30, 2024

We’re pleased to welcome our SUM gallery artists-in-residence (SUM-AiR), Rafael Zen and Khalil Alomar, to SUM gallery, Aug 12 – Aug 30, 2024. Throughout the month of August Rafael and Khalil will be developing their project, FOREST / FLUX / FREQUENCY : QUEERING ECO-UTOPIAS: a new media artwork inspired by eco-futurism, queer futurities, and speculative environmental composition and expressed through field-recording, multispecies composition, and multimedia installation.

ABOUT

RAFAEL ZEN is a queer Latinx media artist + performer, currently living in the land of the Coast Salish peoples – Squamish, Tsleil-Waututh, and Musqueam. Here, he researches intersections between new media, performance, and cultural identity, and organizes Durations, an independent sound art + video art festival that offers an open stage for emerging artists. Rafael works at Emily Carr University as a Research Assistant for the New Media + Sound Art program. Academically, he holds a Master’s degree in Visual Arts – Contemporary Artistic Processes, researching anti-colonial + anti-capitalist poetic practices, and political counterattacks through artistic practices. Currently he is pursuing a degree in New Media + Sound Art at Emily Carr University.

KHALIL ALOMAR is a queer Lebanese-Canadian artist whose creative practice primarily revolves around collage, multimedia installation, and performance. He works through anti-colonial, anti-capitalist, and anti establishment theory and practice. Currently, Kahlil is pursuing a degree in New Media +Sound Art at Emily Carr University. He lives in the unceded territories of the xwməθkwəy̓ əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Selíl witulh (Tsleil-Waututh) Nations. His recent practice is centered on sound, video/paper collage, and photography as mediums that provide a platform for critiquing systemic aggressions and abuse.

Rafael Zen + Khalil Alomar: OPEN REHEARSAL
August 27, 6:30-7:30 pm

Join SUM-AiR Artists-in-Residence Rafael Zen and Khalil Alomar on Tuesday, August 27, from 6:30pm – 7:30pm for an Open Rehearsal of their new media project-in-progress, FOREST / FLUX / FREQUENCY : QUEERING ECO-UTOPIAS. Rafael and Khalil will present a half hour demonstration of live electronics and visuals, followed by an opportunity for audience interaction where guests will be invited to interact with audio equipment and contribute their own sounds to the forest.

Register Here
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024
Rafael and Khalil SUM-AiR 2024

SUM AiR—ilvs strauss

Jul 24 – Aug 9, 2024

We’re pleased to welcome our SUM gallery artist-in-residence (SUM-AiR), ilvs strauss, to SUM gallery, July 26 – Aug 9, 2024. Over the coming weeks, ilvs (pronounced “elvis”, pronouns she/her) will be developing her project, “everything i heard over the course of the day all at once”: a multimedia performance project that is part informative lecture, part love letter, and part immersive concert. In addition to her SUM-AiR residency, ilvs will be leading a free Open House event on August 9 and a QLab workshop on August 10 — read on for more info.

ABOUT ilvs strauss

ilvs strauss (pronounced “elvis”, pronouns she/her) is an analytical chemist turned multi-disciplinary performance artist and theatre technician living and making work in the unceded and ancestral lands of the Coast Salish People. Born in California, raised in Portland, and working in Seattle before relocating to Vancouver, ilvs has worked extensively in the fields of dance, sound art, poetry, multimedia and visual art, and has also worked as a technical director, lighting designer, and strategic facilitator.

Open House: ilvs strauss
Friday August 9, 5 – 7pm

Join us at SUM gallery on Friday, August 9, from 5pm – 7pm, as we celebrate ilvs strauss’s residency with an Artist-in-Residence Open House. This will be a unique opportunity to meet ilvs and experience her most recent work-in-progress, an integrated media performance piece focused on Sound.

Bring your ears for a guided journey through a labyrinth of intentional sound, audible and otherwise. Along the way, we’ll flip through the catalog of basic human needs, delve into an inquiry re: the advent of language, and watch a video of the letter ’n’ being typed repeatedly in a word document, amongst other things. A discerning, bilingual listening party that raises the questions: What is it we hear? What is it we want to hear?

(Oye, mi español no es 100%, so I used Google Translate. Espero que makes sense. -ilvs)
Únase a nosotros en la galería SUM el viernes, 9 de agosto, de 5 p. m. a 7 p. m., mientras celebramos la residencia de ilvs strauss con una jornada de puertas abiertas para artistas en residencia. Esta será una oportunidad única para conocer a ilvs y experimentar su trabajo en progreso más reciente, pieza de performance de medios integrados centrada en el sonido.

Traiga sus oídos para un viaje guiado a través de un laberinto de sonido intencional, audible o no. En el camino, hojearemos el catálogo de necesidades humanas básicas, profundizaremos en una investigación sobre: la llegada del lenguaje, y veremos un video de la letra ‘n’ escrita repetidamente en un documento de word, entre otras cosas. Un grupo de escucha bilingüe y perspicaz que plantea las preguntas: ¿Qué es lo que escuchamos? ¿Qué es lo que queremos escuchar?

This Open House is free to attend but registration is recommended. Register HERE. 

Workshop: QLab Basics for Creators
Saturday August 10, 2 – 4pm

Come learn the basics of QLab with our SUM gallery artist-in-residence, ilvs strauss! QLab is a multimedia playback software package used in theatre and live entertainment around the world. In other words, it’s the program you use to play sound in your show. It is an essential tool for theatre makers, dancers, live performers and creators of any kind. 
In this workshop, you will learn how to import music tracks, how to program a QLab file to play your audio track replete with layers and fades, how to export a show-ready QLab bundle, and other tricks too numerous to list!

You should bring these things:
– your Mac laptop (note: QLab is not compatible with PCs)
– at least one music file (any format, ideally on your laptop)

If you have QLab already, great! If not, we’ll go over how to download it – there’s a free version available that is quite robust. No previous experience required. Come if you already know a few things and want to sharpen your skills! Register for the workshop HERE.

A Generosity of Abundance—Valérie d. Walker and Jack Page

Feb 22 – Apr 5, 2024
OPENING RECEPTION: FEB 22, 6 to 8 pm
PERFORMANCE by JACK PAGE & THEO BLUE: MAR 16, 2 pm

As our community navigates a world of unprecedented environmental and political upheaval – all transpiring against the backdrop of a lingering pandemic –Transmedia Fibres-rooted artist and Indigo Griot Valérie d. Walker has responded by transforming SUM gallery into a sanctuary of Queer Joy: a place where “Queer reality is infused with self love and the power of environmental transformation.” Walker, whose work is shaped and informed by her African Diasporic, Scottish, Japanese, and Indigenous Hawaiian heritage, has envisioned A Generosity of Abundance as an immersive exploration of the restorative power of Water. Finding inspiration in the metaphysical transformations caused by traversing a Labyrinth, Walker’s large-scale indigo-dyed fibre pieces invite the viewer to explore and flow along an uninterrupted sensorial path towards meditative and therapeutic relief, much like water’s uncanny ability to seek out a path of least resistance; while fibre-art sculpture/installations create interior “indigo refuges”. 

In keeping with the spirit of Queer, joyous transformation, on March 16 the exhibition expands to include the work of Vancouver artist Jack Page, whose practice encompasses illustration, altered book art, papermaking, printmaking, photography, musical performance art, and Dis/Ability, Mad/Neurodiverse and 2SLGBTQIA+ community-based projects. His multimedia triptych, Flowers for MeToo, speaks to how all genders experience gender violence, especially trans and nonbinary people, using gold leaf to mark the healing body as divine and flowers as a form of healing and transforming trauma. Like Walker, who is well known for her enviro-conscious dye work, Page’s material art practice focuses on minimizing waste by incorporating used, natural, and foraged materials, and upcycling waste products, such as paper and medical waste.

Register for the opening

Running from February 22 to April 5, A Generosity of Abundance spans two key events in the QTBIPOC calendar: Black History Month (February) and International Transgender Day of Visibility (March 31). To this end, the exhibition is punctuated by an opening reception on Thursday, February 22, from 6 – 8pm and a musical performance piece by Jack Page and guitarist Theo Blue on Saturday, March 16 at 2pm.

Join artist Valérie d. Walker for a discussion with April Sumter-Freitag and Addena Sumter-Freitag on Queer Black history in Vancouver.

Join us at SUM gallery on Saturday, March 9 at 2pm for Black Every Day of the Year: a special discussion panel featuring A Generosity of Abundance artists Valérie d. Walker, Addena Sumter-Freitag, and April Sumter-Freitag. As seventh- and eighth-generation Black Canadians, Addena and April Sumter-Freitag hold a special place in Canadian Queer Black art and history; with Walker, they will imagine, joyously laugh, celebrate Historical Black Strathcona, and create Afro-Futuristic visions that extend well beyond Black History Month. The afternoon includes a special screening of April Sumter-Freitag’s short film, Out, Black + Proud in BC, which celebrates its 20th anniversary this year.

Register for the Panel

A musical performance piece by Jack Page and guitarist Theo Blue, Flowers for MeToo speaks to how all genders experience gender violence.

Join us at SUM gallery on March 16 for a special musical performance by Jack Page and Theo Blue, marking the expansion of our exhibition, A Generosity of Abundance.

As we transition from Black History Month to International Transgender Day of Visibility, our duo exhibition featuring the work of Valérie d. Walker and Jack Page expands to include Page’s beautiful triptych, Flowers for MeToo. We celebrate the arrival of Jack’s work with an in-gallery performance of the song Flowers for MeToo, composed and performed by Jack, with his musical collaborator Theo Blue.

Be among the first to experience the final manifestation of our exhibition and hear this intensely personal performance by Page and Blue.

Register for the Performance

MOTORBIKE/SUPERDYKE 

SUM gallery
co-presented in partnership with Vancouver Queer Film Festival
Opening reception: Sat, Aug 13, 7 to 10pm
Installation runs Aug 16 to 20, 12 to 6pm. Daily drop-in zine workshops from 3 to 6pm.

MOTORBIKE/SUPERDYKE is a collaborative multimedia installation by Cheryl Hamilton and lisa g, based on lisa g’s diaries about coming out and sorting through queer stereotypes circa 2000. Illustrations, art prints, an animated film and a zine echo a time and place and reflect upon personal identity politics.

MOTORBIKE/SUPERDYKE animated film trailer

Cheryl Hamilton is a conceptual artist with a penchant for visual ingenuity. She imbues her artwork with a kineticism inspired by her education as an animator at Vancouver’s Emily Carr Institute. She enjoys the process of collaboration and experimentation and tries to remain flexible in approaching mediums preferring the concept to dictate the ingredients. Although Cheryl has been working as a large-scale sculptor (blown glass, stainless steel, cast bronze) she has continually returned to the medium of drawing and painting as it serves as the backbone of her art practice.

lisa g is an artist/filmmaker living on the unceded and stolen territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. They are interested in work that has historical reference, social relevance & where possible, humour. They work independently, with other artists and within communities. lisa g is a founding member of Vancouver’s Iris Film Collective, which promotes the creation and sharing of analog film and they are the producer/mentor of Our World  which supports the creation of Indigenous self directed short films. lisa g’s work screens internationally and has won awards.

Futurosity in the Midst of History

A Queer Black Art Share

Sat Feb 26, 3 – 6pm

Throughout the month of February, we’ve been showcasing Queer Black Art and Artists on our Instagram, Facebook, and Twitter feeds — all co-curated by Valérie d. Walker and April Sumter-Freitag. Join them via Zoom on Sat, Feb 26 for Futurosity in the Midst of History, an online Art Share with special guests Christopher Hunte (aka Symone Says), Lili Robinson, and Addena Sumter-Freitag. The panel will share their collectively diverse body of work — from fibre art, to playwriting, to drag—and discuss the joys and challenges of their craft. This event concludes with a specially curated online music set with the one and only DJ O Show!