Fragile: Handle With Care

November 13-15, 2026

Vancouver Independent Music Centre Society and SUM gallery present Fragile: Handle with Care.

Mark Takeshi McGregor, flute & movement | Parmela Attariwala, violin, movement & sound design

Sujit Vaidya, choreography & movement

Friday and Saturday, November 13-14: 7:30 pm | Doors and box office opens at 6:30 pm

Sunday Matinee, November 15: 2 pm | Doors and box office opens at 1 pm

Morrow, 910 Richards Street, Unit 204


How does performance adjust as our bodies age? How do performers change as we age? What becomes more important, what is less important? Sujit, Mark and Parmela explore the physical and sonic shifts time brings.

Presented by SUM gallery, VIM House, and Odd Meridian Society, Fragile: Handle with Care is the first draft presentation of a new collaborative work featuring new movement and music by three of Vancouver’s leading creative artists, flutist Mark Takeshi McGregor; composer/violinist Parmela Attariwala; and choreographer/dancer Sujit Vaidya.

Vulnerability, mythology, and memory are some of the themes explored in this three-part work, which blurs the lines between artistic disciplines: each performer actively contributes to the choreography, soundscape, and dramaturgy.

Described as a “mind-blowing” musician of “huge physical energy” (Times Colonist), flutist Mark Takeshi McGregor is a Vancouver-based soloist, chamber musician, and improvisor. Mark has performed with various ensemble across five continents including Innovations en Concert (Montreal), Ding Yi Chinese Chamber Music Festival (Singapore), Museo Leonora Carrington (San Luis Potosí, Mexico), Melos-Ethos (Bratislava), GroundSwell (Winnipeg) and Núcleo Música Nova International Symposium of New Music (Curitiba, Brazil). In 2021, he was honoured with the Friends of Canadian Music Award, which recognizes exceptional to Canadian composers and their music. He is artistic director of the Queer Arts Festival + SUM gallery, major platforms for 2SLGBTQIA+ art and artists. https://marktakeshimcgregor.com/

Born and raised in Mohkinstis (Calgary), Parmela Attariwala determined as a toddler that she had to play the violin after seeing one on television. She studied music formally in the United States and Europe, then cultivated an eclectic artistic practice over a twenty-five-year sojourn in Toronto, mixing traditional and non-traditional, cross-genre and interdisciplinary, performance and creation, socially progressive pedagogy and applied ethnomusicology. Parmela is particularly known for working with choreographers (as both composer and movement artist), for her Attar Project recordings featuring works for Western strings and North Indian tabla (“a cross-cultural handshake to set the mind spinning”), and for research on music and identity in Canada. Since moving to Vancouver in 2019, Parmela’s creative work has expanded to include sound scores for gallery installations (Esker Foundation, Peter Morin and Ayumi Goto’s the Salmon and the Crow are Everywhere and Morin’s NDN Lovesongs), dance film (Sujit Vaidya and Robert Kingsbury’s Sacred/Sacrilegeous), and opera (Marion Newman and Yvette Nolan’s Namwayut). She also co-founded the collaborative improvisation web series Understorysound.ca, and dedicates her spare time to tackling issues of equity and ethics in the music sector. https://parmela.com/

Choreographer Sujit Vaidya is an independent Vancouver dance artist trained in Bharatanatyam who works primarily as soloist. His artistic choices reflect the curiosities and experiences he holds as a queer artist of colour, while deeply engaging with an art form rooted in tradition. His choreographies question the narrative and relevance of non-inclusive traditional texts. He aims to create space for queer expression within the context of Bharatanatyam. His works have been programmed in festivals such as Vancouver International Dance Festival, Dancing On The Edge and MAI Montreal. https://sujitvaidya.ca/

One of only a handful of permanent spaces worldwide dedicated to the presentation of queer art, SUM gallery brings diverse communities together to support artistic risk-taking, incite creative collaboration and experimentation, and celebrate the rich heritage of queer artists and art. SUM produces, presents and exhibits challenging, thought-provoking multidisciplinary art, including up to six exhibitions a year, a concert series, the SUM-AiR artist residency program, and multiple workshops and public engagement initiatives. From its roots in the Pride in Art Society (PiA), SUM gallery was founded in 2018 as a space for year-round programming of the Queer Arts Festival. https://sumgallery.ca/

Vancouver Independent Music Centre Society (VIM) is a non-profit charitable organization dedicated to developing an accessible, sustainable, and culturally diverse music centre in Vancouver. Its vision is shaped by extensive community consultation and ongoing support for local music ecosystems. https://vimhouse.ca/

Fragile: Handle with Care takes place on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish) and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations.

This event is presented in partnership with Odd Meridian Society. The Vancouver Independent Music Society and SUM gallery gratefully acknowledge the financial support of the Province of British Columbia and the City of Vancouver; Canadian Heritage; the JTC Heersink Foundation; and the Canada Council for the Arts through DKAM for this special presentation.

A View From Above — Remembering Preston Buffalo

October 15 – December 11, 2026

SUM gallery is proud to present A View From Above, a solo retrospective exhibition celebrating the life and work of Preston Buffalo, curated by Jordan King. Preston Buffalo was a Two-Spirit Cree artist who lived and worked in Vancouver’s Downtown Eastside, excelling in a variety of arts practices, including photography, printwork, sculpture, digital art, and augmented reality. A View From Above is the first retrospective of the artist since his sudden passing in 2024, running from October 15 to December 11, 2026 at SUM gallery, with an opening reception on Thursday October 15 2026, 6 – 9pm, and an intimate in-person discussion with curator Jordan King on Saturday October 17, 2026 at 2pm.

Based in Vancouver for many years on Coast Salish Territories, Buffalo began his explorations in art through drag, self portraiture and performance in the queer night club scene where he met his best friend and oft collaborator of 25 years, Jordan King; an interdisciplinary artist working in performance, photography and writing, now based in Toronto. In A View From Above, King honours her dear late friend by way of a thoughtful curation of his works over the years and through a sharing of memories in the exhibition companion catalogue, Complex Curiosities.

ABOUT THE ARTIST
Preston Buffalo was a Two-Spirited Cree artist originally from Treaty 6 Territory, who resided in the unceded Coast Salish Territories of British Columbia until his untimely passing in 2024. His interdisciplinary practice involved the exploration of personal Indigenous iconography and symbolism, utilising photography, alternative photo processes, and digital illustration. Motivated by the challenges faced by Indigenous communities, Preston’s work touched upon themes such as mental health, cultural and linguistic loss due to displacement, the impact of the residential school system, and the process of assimilation. His critically lauded 2024 SUM gallery exhibition, Go Home Yuppie Scum, explored these themes via his interest in stereoscopic art, including 3D anaglyph art, repurposed View Masters, and augmented reality. This final exhibition before his death encouraged new perspectives on Indigenous art, emphasising its significance in contemporary society and its contribution to an ongoing dialogue. 

ABOUT THE CURATOR
Jordan King is a Canadian multi-disciplinary artist, performer, curator and writer, her practice rooted in archival research and intergenerational connectivity. She completed a Master of Fine Arts Degree in Curatorial Practice at OCAD University in Toronto, Canada in 2024. https://jordankingarchive.com/