Kinship

Mar 19 – Apr 24, 2026

Kinship, a group exhibition of six Vancouver-based trans and gender-diverse ceramic artists curated by Jai Sallay-Carrington, runs March 19 through April 24, 2026. With Kinship, figurative ceramic practices become a means of grappling with queer and trans embodiment in all its complexity. Showcasing work by Rojina FarrokhnejadPedram PenhanCat HartDanya GorodetskyFelix Thomas, and Sallay-Carrington themself, Kinship is timed to coincide with International Transgender Day of Visibility (March 31) and is also a featured exhibition in the 2026 Canadian Clay Symposium (March 21–23). Arriving at a time when trans bodies remain highly politicized, these artists question how gender, sexuality, and desire shape one’s sense of belonging, or otherness, within culture.

Join us for an opening reception on Thursday, March 19, 5–9pm:


Join us on Sunday, March 29 at 5 pm for a free artist talk led by Sallay-Carrington and participating artist Felix Thomas. The pair will discuss their respective art practices and the many themes that run through this striking figurative ceramic exhibition:


We’re pleased to offer a pay-what-you-wish (PWYW) clay workshop, led by Kinship curator Jai Sallay-Carrington! In this 2-day workshop, Jai will lead participants through sculpting your own animal head from a pinch pot, show how to achieve facial details such as eyes, noses and expressive mouths, textures such as fur/feather/scale, and how to add features such as horns and ears.

This workshop now has extremely limited space. Participants must commit to both days (April 11 & 12). Click the registration link for more details!


ABOUT THE CURATOR:

Jai Sallay-Carrington (they/them) is a Canadian queer and transgender sculptural ceramic artist currently living in Vancouver BC. In 2014 they graduated from Concordia University with a BFA, and since then they have traveled around Canada, USA and Europe for artist residencies, to install exhibitions and teach workshops. Residencies such as C.R.E.T.A Rome in Italy, Tolne Gjæstgivergaard in Denmark and from 2023-2024 at Baltimore Clayworks, as the Lormina Salter Fellow. They have been a part of many group exhibitions, at prestigious galleries such as the Canadian Clay and Glass Gallery, Henry Art Gallery, and the Clay Center of New Orleans. Jai has had several solo exhibitions, such as Growing Pains at Pottery Northwest, Trans Passions at Baltimore Clayworks Gallery, as well as Adapting, at Maison de la Culture Côte-des-Neiges. They have been featured in publications such as CBC Exhibitionists and Ceramique: 90 Artistes Contemporarian. Jai has been awarded grants from Canada Council of the Arts, SODEC, CALQ and was a finalist for the Winifred Shantz Award for 2020 and 2021. They earned master’s degree at the University of Washington in 2023, receiving the De Cillia Graduating with Excellence award.


Community is integral for LGBTQ+ people, and we can argue that the Clay community shares that need and strength in community. The challenges and experiences that bring a powerful sense of connection to each of these communities differ, but the overlap cannot be overlooked. So, in response to the Canadian Clay Symposium’s 2026 theme, “How Hard Can It Be?” the answer is; hard! But easier with support and people to share in the experiences. – JSC

hyperfiXation — Jay Cabalu

May 7 – 29, 2026

Jay Cabalu’s solo exhibition, hyperfiXation, excavates his obsession with consumption and the exploitation of beauty in manufactured magazine images. Through a selection of hand-cut collages that employ scopophilia (taking pleasure in looking), he demonstrates how capitalism fabricates consent and compliance to material culture.

Join us for an opening reception on Thursday, May 7, 5–9pm:


Join us on Saturday, May 16 at 1pm for a free artist talk, where Jay will share a bit of the inspiration, creative process, and artistic practices behind his stunning works.


We’re pleased to offer a pay-what-you-wish (PWYW) collage workshop Saturday, May 23 at 2pm. Jay will guide participants through creating their own hand-cut collage. Materials will be provided—feel free to bring your own magazines, comics, etc. to inspire your creation.


ABOUT THE ARTIST:

Jay Cabalu is a Filipino-Canadian pop artist based on the traditional, ancestral and uneceded territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ (Tsleil-Waututh) Nations– Vancouver, BC. His works are made of 100% hand-cut collage as well as other found materials. He discovered magazines and comic books at a young age after his family immigrated to Canada in 1991. As a response to mass media and capitalism, Cabalu repurposes print media to create highly meticulous collages. In subject matter ranging from pop icons, self-portrait and still life, Jay’s artistic practice has evolved over the past decade as critique and correction to the failures of media’s attempts to depict his everyday reality. By reappropriating the visual language of advertisements and popular culture, Jay inverts depictions of pleasure and luxury to portray a collaged world overflowing with contradictions. 

Cabalu has a BFA from Kwantlen Polytechnic University and has exhibited his work since graduating in 2013. A series of self-portraits Jay created from 2017-2019 garnered the attention of international exhibitions centred on queer-Asian identity. In 2018, he exhibited with the Foundation for Asian-American Independent Media in Chicago. In the UK, Cabalu’s work was part of exhibitions with Queer Asia in 2018 and 2019, for which he gave a virtual artist talk at the British Museum. Jay has exhibited work in Vancouver with SUM Gallery and On Main Gallery in 2019 and 2020 in two pan-Asian focused showcases. His self-portrait De Los Reyes, appears on the cover of the McGill-Queens University Press publication Canadian Culinary Imaginations, which explores the role of food as multimodal media. Jay Cabalu has had three recent solo exhibitions in British Columbia: Extra, at On Main Gallery in 2022 (curated by Paul Wong), POP ODY$$EY at Deer Lake Gallery in 2023 and Bunso the Kube in 2024. His works are are part of private collections in Vancouver, New York, Los Angeles, Hong Kong and the Philippines.